Thursday, May 31, 2012

Southern Frontier Humor: An Anthology For Sale





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Southern Frontier Humor: An Anthology Reviews





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If, as some suggest, American literature began with Huckleberry Finn, then the humorists of the Old South surely helped us to shape that literature. Twain himself learned to write by reading the humorists’ work, and later writers were influenced by it. This book marks the first new collection of humor from that region published in fifteen years—and the first fresh selection of sketches and tales to appear in over forty years.
            Thomas Inge and Ed Piacentino bring their knowledge of and fondness for this genre to a collection that reflects the considerable body of scholarship that has been published on its major figures and the place of the movement in American literary history. They breathe new life into the subject, gathering a new selection of texts and adding Twain—the only major American author to contribute to and emerge from the movement—as well as several recently identified humorists.
            All of the major writers are represented, from Augustus Baldwin Longstreet to Thomas Bangs Thorpe, as well as a great many lesser-known figures like Hamilton C. Jones, Joseph M. Field, and John S. Robb. The anthology also includes several writers only recently discovered to be a part of the tradition, such as Joseph Gault, Christopher Mason Haile, James Edward Henry, and Marcus Lafayette Byrn, and features authors previously overlooked, such as William Gilmore Simms, Ham Jones, Orlando Benedict Mayer, and Adam Summer.
Selections are timely, reflecting recent trends in literary history and criticism sensitive to issues of gender, race, and ethnicity. The editors have also taken pains to seek out first printings to avoid the kinds of textual corruptions that often occur in later versions of these sketches. Southern Frontier Humor offers students and general readers alike a broad perspective and new appreciation of this singular form of writing from the Old South—and provides some chuckles along the way.





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Wednesday, May 30, 2012

The Oxford Companion to American Law (Oxford Companions) For Sale





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A landmark in legal publishing, The Oxford Companion to the Supreme Court is a now classic text many of whose entries are regularly cited by scholars as the definitive statement on any particular subject. In the tradition of that work, editor in chief Kermit L. Hall offers up The Oxford Companion to American Law, a one-volume, A-Z encyclopedia that covers topics ranging from aging and the law, wiretapping and electronic eavesdropping, the Salem Witch Trials and Plessy vs. Ferguson.
The Companion takes as its starting point the insight that law is embedded in society, and that to understand American law one must necessarily ask questions about the relationship between it and the social order, now and in the past. The volume assumes that American law, in all its richness and complexity, cannot be understood in isolation, as simply the business of the Supreme Court, or as a list of common law doctrines. Hence, the volume takes seriously issues involving laws role in structuring decisions about governance, the significance of state and local law and legal institutions, and the place of American law in a comparative international perspective. Nearly 500 entries are included, written by over 300 expert contributors.
Intended for the working lawyer or judge, the high school student working on a term paper, or the general adult reader interested in the topic, the Companion is the authoritative reference work on the subject of American law.




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Tuesday, May 29, 2012

Regendering the School Story: Sassy Sissies and Tattling Tomboys (Children's Literature and Culture) For Sale





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Beverly Clark provides a cultural criticism of the school story, drawing upon the work of Derrida, Foucult, Spivak, Garger, and Jameson, among others. This is a study of the cross-gendering of the school story and explores the intersections of gender and age. Clark argues that marginalized works such as the school story - written for boys by women or for girls by men - can give voice to the cultural contradictions that inhabit a genre as well as a culture. Moreover, race, class, and gender are always discussed by theorists of marginality, but not age, and not children - and not children's literature. This book argues that children's literature should receive the same critical scrutiny as adult literature for critical critics, a schools' story is important for understanding the intersection of literature and pedagogy and the politics of schooling.




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Monday, May 28, 2012

The Heath Anthology of American Literature: Volume C: Late Nineteenth Century (1865-1910) For Sale





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Unrivaled diversity and teachability have made The Heath Anthology a best-selling text since the publication of its first edition in 1989. In presenting a more inclusive canon of American literature, The Heath Anthology continues to balance the traditional, leading names in American literature with lesser-known writers and to build upon the anthology's other strengths: its apparatus and its ancillaries. Available in five volumes for greater flexibility, the Fifth Edition offers thematic clusters to stimulate classroom discussions and to show the treatment of important topics across the genres. The indispensable web site includes revised timelines, a multimedia gallery to support thematic clusters, and a searchable Instructor's Guide.




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Sunday, May 27, 2012

Bodies of Life: Shaker Literature and Literacies (Contributions to the Study of Religion) For Sale





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The Shakers' spiritual literacies, defined through an examination of their reading and writing practices, blur boundaries between traditionally masculine and feminine realms by using reason and emotion and by being innovative as well as traditional. This exploration of the relationship between literary practices and religious life in the 19th century, of such genres as autobiographies, elegies, histories, and doctrinal works, provides new insights into the many ways in which literacy enriches people's lives.

This volume will appeal not only to the growing body of Shaker scholars, but also to researchers interested in American literature and culture, literacy, religious history, and gender studies.






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Saturday, May 26, 2012

Positioning the New: Chinese American Literature and the Changing Image of the American Literary Canon For Sale





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This ground-breaking edited volume includes chapters which explore the past, present and future position of Chinese American authors within the framework of what Bloom identifies as the 'Western literary canon.' These selections, which simultaneously represent the exciting 'transnational turn' in American literary studies, not only examine whether or not Chinese American literature is inside or outside the canon, but also question if there is, or should be, a literary canon at all. Moreover, they dissect the canonicity of Chinese American literature by elucidating the social, political and cultural implications of inclusion in the canon. Ultimately, however, this collection is designed as a preliminary step towards exploring the impact of Chinese American literature on the white, Anglo-Saxon Protestant-dominated American literary world, and probing the by-products of both cultural fusion and cultural collision.




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Friday, May 25, 2012

Making Mark Twain Work in the Classroom For Sale





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How does one teach Mark Twain’s Huckleberry Finn, a book as controversial as it is central to the American literary canon? This collection of essays edited by James S. Leonard offers practical classroom methods for instructors dealing with the racism, the casual violence, and the role of women, as well as with structural and thematic discrepancies in the works of Mark Twain.
The essays in Making Mark Twain Work in the Classroom reaffirm the importance of Twain in the American literature curriculum from high school through graduate study. Addressing slavery and race, gender, class, religion, language and ebonics, Americanism, and textual issues of interest to instructors and their students, the contributors offer guidance derived from their own demographically diverse classroom experiences. Although some essays focus on such works as A Connecticut Yankee in King Arthur’s Court and The Innocents Abroad, most discuss the hotly debated Adventures of Huckleberry Finn, viewed alternately in this volume as a comic masterpiece or as evidence of Twain’s growing pessimism—but always as an effective teaching tool.
By placing Twain’s work within the context of nineteenth-century American literature and culture, Making Mark Twain Work in the Classroom will interest all instructors of American literature. It will also provoke debate among Americanists and those concerned with issues of race, class, and gender as they are represented in literature.

Contributors. Joseph A. Alvarez, Lawrence I. Berkove, Anthony J. Berret, S.J., Wesley Britton, Louis J. Budd, James E. Caron, Everett Carter, Jocelyn Chadwick-Joshua, Pascal Covici Jr., Beverly R. David, Victor Doyno, Dennis W. Eddings, Shelley Fisher Fishkin, S. D. Kapoor, Michael J. Kiskis, James S. Leonard, Victoria Thorpe Miller, Stan Poole, Tom Reigstad, David E. E. Sloane, David Tomlinson






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Thursday, May 24, 2012

Feminisms: An Anthology of Literary Theory and Criticism For Sale





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In the landmark 1991 edition of Feminisms, Robyn Warhol and Diane Price Herndl assembled the most comprehensive collection of American and British feminist literary criticism ever published. In this revised edition, the editors have updated the volume, in keeping with the expanding parameters of feminist literary discourse. With the inclusion of more than two dozen new essays, along with a major reorganization of the sections in which they appear, Warhol and Price Herndl have again established the measure for representing the latest developments in the field of feminist literary theory. Believing that the feminist movement can only move forward "where difference commands attention, not dismissal or negativism," they have continued the original collection's mission of providing a multiplicity of perspectives and approaches. This revised edition contains three new sections ("Conflict," "Gaze," and "Practice") and includes more selections by and about women of color and lesbians.




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Wednesday, May 23, 2012

Together by Accident: American Local Color Literature and the Middle Class For Sale





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This fascinating account of the regional travel accident motif within American local color literature offers a reassessment of the cultural work done by authors writing during the Gilded Age. Stephanie C. Palmer shows how events like broken carriage wheels and missed trains were used by local color authors to bring together bourgeois and lower-class characters, thus giving readers the opportunity to see modernity coming into contact with both rural and urban life.

Using the works of Sarah Orne Jewett, Bret Harte, William Dean Howells, Elizabeth Stuart Phelps, and others, Palmer traces the use of the regional travel accident motif and how local color writers employed it to give critiques on class, society, and modern life. Exploring the themes of regional identity, modernity, and interpersonal relationships, Together by Accident offers an intriguing evaluation of the innovations and inconveniences associated with life during the industrializing Gilded Age in America.




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Tuesday, May 22, 2012

A Companion to the Literatures of Colonial America (Blackwell Companions to Literature and Culture) For Sale





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This broad introduction to Colonial American literatures brings out the comparative and transatlantic nature of the writing of this period and highlights the interactions between native, non-scribal groups, and Europeans that helped to shape early American writing.
  • Situates the writing of this period in its various historical and cultural contexts, including colonialism, imperialism, diaspora, and nation formation.
  • Highlights interactions between native, non-scribal groups and Europeans during the early centuries of exploration.
  • Covers a wide range of approaches to defining and reading early American writing.
  • Looks at the development of regional spheres of influence in the seventeenth and eighteenth centuries.
  • Serves as a vital adjunct to Castillo and Schweitzer’s ‘The Literatures of Colonial America: An Anthology’ (Blackwell Publishing, 2001).





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    Monday, May 21, 2012

    Reading American Novels and Multicultural Aesthetics: Romancing the Postmodern Novel For Sale





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    Using romantic theories, Caton analyzes America’s contemporary novel. Organized through the two sections of “Theory” and “Practice,” Reading American Novels and Multicultural Aesthetics begins with a study of aesthetic form only to have it reveal the content of politics and history. This presentation immediately offers a unified platform for an interchange between multiple cultural and aesthetic positions.   Romantic theory provides for an integrated examination of diversity, one that metaphorically fosters a solid, inclusive, and democratic legitimacy for intercultural communication. This politically astute cosmopolitan appreciation will generate an intriguing “cross-over” audience: from ethnic studies to American studies and from literary studies to romantic studies, this book will interest a range of readers.






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    Sunday, May 20, 2012

    Selections from Walt Whitman and Emily Dickinson: A Supplement to the Heath Anthology of American Literature For Sale





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    This supplement includes Volume 1's extensive offering of Whitman and Dickinson selections and is available for packaging with The Heath Anthology, 4/e, Volume 2.






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    Saturday, May 19, 2012

    Critical Approaches to American Working-Class Literature (Routledge Studies in Twentieth-Century Literature) For Sale





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    This book is one of the first collections on a neglected field in American literature: that written by and about the working-class. Examining literature from the 1850s to the present, contributors use a wide variety of critical approaches, expanding readers’ understanding of the critical lenses that can be applied to working-class literature. Drawing upon theories of media studies, postcolonial studies, cultural geography, and masculinity studies, the essays consider slave narratives, contemporary poetry and fiction, Depression-era newspaper plays, and ethnic American literature. Depicting the ways that working-class writers render the lives, the volume explores the question of what difference class makes, and how it intersects with gender, race, ethnicity, and geographical location.






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    Friday, May 18, 2012

    The Heath Anthology of American Literature For Sale





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    American Literature courses.




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    Thursday, May 17, 2012

    Black Chant: Languages of African-American Postmodernism (Cambridge Studies in American Literature and Culture) For Sale





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    Black Chant traces the embrace and transformation of black modernisms and postmodernisms by African-American poets in the decades after the Second World War. Centering on groups of avant-garde poets, the study particularly attends to those poets whose radical forms of new writing formed the basis for much of what followed in the Black Arts period. Exploring the farthest reaches of black creative experimentation in words and music, Black Chant yields an invaluable reassessment of African-American cultural history as it has been shaped throughout the era we now call postmodern.




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    Wednesday, May 16, 2012

    The Oxford Handbook of Early American Literature (Oxford Handbooks) For Sale





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    The Oxford Handbook of Early American Literature is a major new reference work that provides the best single-volume source of original scholarship on early American literature. Comprised of twenty-seven chapters written by experts in their fields, this work presents an authoritative, in-depth, and up-to-date assessment of a crucial area within literary studies.

    Organized primarily in terms of genre, the chapters include original research on key concepts, as well as analysis of interesting texts from throughout colonial America. Separate chapters are devoted to literary genres of great importance at the time of their composition that have been neglected in recent decades, such as histories, promotion literature, and scientific writing. New interpretations are offered on the works of Benjamin Franklin, Jonathan Edwards and Dr. Alexander Hamilton while lesser known figures are also brought to light. Newly vital areas like print culture and natural history are given full treatment. As with other Oxford Handbooks, the contributors cover the field in a comprehensive yet accessible way that is suitable for those wishing to gain a good working knowledge of an area of study and where it's headed.




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    Tuesday, May 15, 2012

    Early Native Literacies in New England: A Documentary and Critical Anthology (Native Americans of the Northeast: Culture, History, & the Contemporary) For Sale





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    Designed as a corrective to colonial literary histories that have excluded Native voices, this anthology brings together a variety of primary texts produced by the Algonquian peoples of New England during the seventeenth, eighteenth, and very early nineteenth centuries. Included among these written materials and objects are letters, signatures, journals, baskets, pictographs, confessions, wills, and petitions, each of which represents a form of authorship. Together they demonstrate the continuing use of traditional forms of memory and communication and the lively engagement of Native peoples with alphabetic literacy during the colonial period.
    Each primary text is accompanied by an essay that places it in context and explores its significance. Written by leading scholars in the field, these readings draw on recent trends in literary analysis, history, and anthropology to provide an excellent overview of the field of early Native studies. They are also intended to provoke discussion and open avenues for further exploration by students and other interested readers. Above all, the texts and commentaries gathered in this volume provide an opportunity to see Native American literature as a continuity of expression that reflects choices made long before contact and colonization, rather than as a nineteenth- or even twentieth-century invention.

    Contributors include Heidi Bohaker, Heather Bouwman, Joanna Brooks, Kristina Bross, Stephanie Fitzgerald, Sandra Gustafson, Laura Arnold Leibman, Kevin McBride, David Murray, Laura Murray, Jean O Brien, Ann Marie Plane, Philip Round, Jodi Schorb, David Silverman, and Hilary E. Wyss.




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    Monday, May 14, 2012

    Recovering the Black Female Body: Self-Representation by African American Women For Sale





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    "Although feminists have studied the social construction of the female body for many decades, few have focused on black women. In Recovering the Black Female Body, the editors present a pioneering collection of original writings by academics and artists on 'how African-American women, from slavery to the present, have represented their physical selves in opposition to the distorted vision of the dominant culture.'"-Publishers Weekly "A collection of essays that examine the complex workings of race, gender and the body. Editors Bennett and Dickerson explain that it seeks to 'amplify' African American women writers' attempts to 'take back their selves and reappropriate and reconstitute a body that has often been hyperoticized or exoticized and made a site of impropriety and crime.'"-The Women's Review of Books "By examining African American women writers of the nineteenth and twentieth centuries, the book not only makes a significant contribution to a body of scholarly work but also attempts to 'recover' a more accurate representation of the African American female body."-DePauw Magazine "A highly original and very informative collection of essays that theorizes the complicated intersection of the black female body and its Western symbolic meanings. The collection is essential for anyone interested in the tensions between post-structuralist and humanist understandings of subject formation, social agency, and performative identity."-Claudia Tate, Princeton University Despite the recent flood of scholarly work investigating race, gender, and representation, little has been written about black women's depictions of their own bodies. Both past and present-day American cultural discourse has attempted to either hypereroticize the black female body or make it a site of impropriety and crime. The essays in this volume focus on how African American women, from the nineteenth century to the present, have represented their physical selves in opposition to the distorted vision of others. Contributors attempt to "recover" the black female body in two ways: they explore how dominant historical images have mediated black female identity, and they analyze how black women have resisted often demeaning popular cultural perceptions in favor of more diverse, subtle presentations of self. The pieces in this book-all of them published here for the first time-address a wide range of topics, from antebellum American poetry to nineteenth-century African American actors and twentieth-century pulp fiction. Recovering the Black Female Body recognizes the pressing need to highlight the vibrant energy of African American women's attempts to wrest control of the physical and symbolic construction of their bodies away from the distortions of others. Michael Bennett is an associate professor of English at Long Island University and coeditor of The Nature of Cities: Ecocriticism and Urban Environments. Vanessa D. Dickerson is an associate professor of English at DePauw University. She is the author of Victorian Ghosts in the Noontide: Women Writers and the Supernatural, and editor of Keeping the Victorian House.




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    Sunday, May 13, 2012

    Southern Frontier Humor: An Anthology For Sale





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    If, as some suggest, American literature began with Huckleberry Finn, then the humorists of the Old South surely helped us to shape that literature. Twain himself learned to write by reading the humorists’ work, and later writers were influenced by it. This book marks the first new collection of humor from that region published in fifteen years—and the first fresh selection of sketches and tales to appear in over forty years.
                Thomas Inge and Ed Piacentino bring their knowledge of and fondness for this genre to a collection that reflects the considerable body of scholarship that has been published on its major figures and the place of the movement in American literary history. They breathe new life into the subject, gathering a new selection of texts and adding Twain—the only major American author to contribute to and emerge from the movement—as well as several recently identified humorists.
                All of the major writers are represented, from Augustus Baldwin Longstreet to Thomas Bangs Thorpe, as well as a great many lesser-known figures like Hamilton C. Jones, Joseph M. Field, and John S. Robb. The anthology also includes several writers only recently discovered to be a part of the tradition, such as Joseph Gault, Christopher Mason Haile, James Edward Henry, and Marcus Lafayette Byrn, and features authors previously overlooked, such as William Gilmore Simms, Ham Jones, Orlando Benedict Mayer, and Adam Summer.
    Selections are timely, reflecting recent trends in literary history and criticism sensitive to issues of gender, race, and ethnicity. The editors have also taken pains to seek out first printings to avoid the kinds of textual corruptions that often occur in later versions of these sketches. Southern Frontier Humor offers students and general readers alike a broad perspective and new appreciation of this singular form of writing from the Old South—and provides some chuckles along the way.





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    Saturday, May 12, 2012

    The Oxford Companion to American Law (Oxford Companions) For Sale





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    A landmark in legal publishing, The Oxford Companion to the Supreme Court is a now classic text many of whose entries are regularly cited by scholars as the definitive statement on any particular subject. In the tradition of that work, editor in chief Kermit L. Hall offers up The Oxford Companion to American Law, a one-volume, A-Z encyclopedia that covers topics ranging from aging and the law, wiretapping and electronic eavesdropping, the Salem Witch Trials and Plessy vs. Ferguson.
    The Companion takes as its starting point the insight that law is embedded in society, and that to understand American law one must necessarily ask questions about the relationship between it and the social order, now and in the past. The volume assumes that American law, in all its richness and complexity, cannot be understood in isolation, as simply the business of the Supreme Court, or as a list of common law doctrines. Hence, the volume takes seriously issues involving laws role in structuring decisions about governance, the significance of state and local law and legal institutions, and the place of American law in a comparative international perspective. Nearly 500 entries are included, written by over 300 expert contributors.
    Intended for the working lawyer or judge, the high school student working on a term paper, or the general adult reader interested in the topic, the Companion is the authoritative reference work on the subject of American law.




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    Friday, May 11, 2012

    The Heath Anthology of American Literature, Concise Edition For Sale





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    This new anthology brings the expansive, inclusive approach of the two-volume Heath to the single-volume format. While other one-volume texts continue to anthologize primarily canonical works, the new Heath Concise offers a fresh perspective for the course, based on the successful hallmarks of the two-volume set.




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    Thursday, May 10, 2012

    PAPERMILL: Poems, 1927-35 (American Poetry Recovery Series) For Sale





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    Unlike many of the protest poets of the Depression era, Joseph Kalar lived the workingman's life he wrote about. Though he produced some of the finest social protest writing of his era, the circumstances of Kalar's life--his tireless work in the unions, his long hours at the mill--meant that he wrote only occasionally and never published a book.

    Papermill is Kalar's most famous poem, a stark description of a shut-down factory. First published in 1931, the poem was praised by Max Eastman as "the rarest jewel so far produced by the ferment in America called proletarian poetry--and it is pure art."

    Stink from papermill, sulfer dioxide,
    burns the nose and wreathes the mind
    with thoughts of beaters to be filled
    pumping jordans, swish swish of hot rolls,
    paper to be made, the crash of spruce,
    furred brances stabbing here and there,
    the arm caught pulpy in the rolls,
    the finger, lost . . .





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    Wednesday, May 9, 2012

    A Shameful Business: The Case for Human Rights in the American Workplace For Sale





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    In a book that confronts the moral choices that U.S. corporations make every day in the treatment of their workers, James A. Gross issues a clarion call for the transformation of the American workplace based on genuine respect for human rights, rather than whatever the economic and regulatory landscape might allow. Gross questions the nation's underlying fabric of values as reflected in its laws and our assumptions about workers and the workplace. Arguing that our market philosophy is incompatible with core principles of human rights, he forces readers to realign the country's labor policies so that they conform with the highest international human rights standards. To make his case, Gross assesses various aspects of U.S. labor relations--freedom of association, racial discrimination, management rights, workplace safety, and human resources--through the lens of internationally accepted human rights principles as standards of judgment. His findings are chilling.

    'Employers who maintain workplaces that require men and women and sometimes even children to risk their lives and endanger their health and eyes and limbs in order to earn a living are treating human life as cheap and are seeking their own gain through the desecration of human life,' Gross argues, and such behavior should be considered as crimes against humanity rather than matters of efficiency, productivity, or morale. By revealing how truly unacceptable management's 'best practices' can be when considered as human rights issues, A Shameful Business encourages a bold new vision for workers, whether organized or not, that would signify a radical rethinking of social values and the concept of workplace rights and justice in the courtroom, the boardroom, and on the shop floor.




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    Tuesday, May 8, 2012

    Feminisms: An Anthology of Literary Theory and Criticism For Sale





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    In the landmark 1991 edition of Feminisms, Robyn Warhol and Diane Price Herndl assembled the most comprehensive collection of American and British feminist literary criticism ever published. In this revised edition, the editors have updated the volume, in keeping with the expanding parameters of feminist literary discourse. With the inclusion of more than two dozen new essays, along with a major reorganization of the sections in which they appear, Warhol and Price Herndl have again established the measure for representing the latest developments in the field of feminist literary theory. Believing that the feminist movement can only move forward "where difference commands attention, not dismissal or negativism," they have continued the original collection's mission of providing a multiplicity of perspectives and approaches. This revised edition contains three new sections ("Conflict," "Gaze," and "Practice") and includes more selections by and about women of color and lesbians.




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    Monday, May 7, 2012

    Inventing Southern Literature For Sale





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    "I take...an outward route, arguing that the Agrarian project was and must be seen as a willed campaign on the part of one elite to establish and control 'the South' in a period of intense cultural maneuvering. The principal organizers of I'll Take My Stand knew full well there were other 'Souths' than the one they touted; they deliberately presented a fabricated South as the one and only real thing."

    In Inventing Southern Literature Michael Kreyling casts a penetrating ray upon the traditional canon of southern literature and questions the modes by which it was created. He finds that it was, indeed, an invention rather than a creation. In the 1930s the foundations were laid by the Fugitive-Agrarian group, a band of poet-critics that wished not only to design but also to control the southern cultural entity in a conservative political context. From their heyday to the present, Kreyling investigates the historical conditions under which literary and cultural critics have invented "the South" and how they have chosen its representations. Through his study of these choices, Kreyling argues that interested groups have shaped meanings that preserve "a South" as "the South."

    As the Fugitive-Agrarians molded the region according to their definition in I'll Take My Stand, they professed to have developed a critical method that disavowed any cultural or political intent or content, a claim that Kreyling disproves. He shows that their torch was taken by Richard Weaver on the Right and Louis D. Rubin, Jr., on the Center-Left and that both critics tried to preserve the Fugitive-Agrarian credo despite the severe stresses imposed during the era of desegregation.

    As the southern literary paradigm has been attacked and defended, certain issues have remained in the forefront. Kreyling takes on three:

    1. reconciling the imperatives of race with the traditional definitions of the South;
    2. testing the ways white women writers of the South have negotiated space within or outside the paradigm; and
    3. analyzing the critics' use and abuse of William Faulkner (the major figure of southern literature) as they have relied on his achievement to anchor the total project called Southern Literature.


    Michael Kreyling, a professor of English at Vanderbilt University, is the author of several books, including Eudora Welty's Achievement of Order and Author and Agent: Eudora Welty and Diarmuid Russell.




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    Sunday, May 6, 2012

    Haunted Visions: Spiritualism and American Art (The Arts and Intellectual Life in Modern America) For Sale





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    Spiritualism emerged in western New York in 1848 and soon achieved a wide following due to its claim that the living could commune with the dead. In Haunted Visions: Spiritualism and American Art, Charles Colbert focuses on the ways Spiritualism imbued the making and viewing of art with religious meaning and, in doing so, draws fascinating connections between art and faith in the Victorian age.

    Examining the work of such well-known American artists as James Abbott McNeill Whistler, William Sydney Mount, and Robert Henri, Colbert demonstrates that Spiritualism played a critical role in the evolution of modern attitudes toward creativity. He argues that Spiritualism made a singular contribution to the sanctification of art that occurred in the latter half of the nineteenth century. The faith maintained that spiritual energies could reside in objects, and thus works of art could be appreciated not only for what they illustrated but also as vessels of the psychic vibrations their creators impressed into them. Such beliefs sanctified both the making and collecting of art in an era when Darwinism and Positivism were increasingly disenchanting the world and the efforts to represent it. In this context, Spiritualism endowed the artist's profession with the prestige of a religious calling; in doing so, it sought not to replace religion with art, but to make art a site where religion happened.






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    Saturday, May 5, 2012

    PAPERMILL: Poems, 1927-35 (American Poetry Recovery Series) For Sale





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    Unlike many of the protest poets of the Depression era, Joseph Kalar lived the workingman's life he wrote about. Though he produced some of the finest social protest writing of his era, the circumstances of Kalar's life--his tireless work in the unions, his long hours at the mill--meant that he wrote only occasionally and never published a book.

    Papermill is Kalar's most famous poem, a stark description of a shut-down factory. First published in 1931, the poem was praised by Max Eastman as "the rarest jewel so far produced by the ferment in America called proletarian poetry--and it is pure art."

    Stink from papermill, sulfer dioxide,
    burns the nose and wreathes the mind
    with thoughts of beaters to be filled
    pumping jordans, swish swish of hot rolls,
    paper to be made, the crash of spruce,
    furred brances stabbing here and there,
    the arm caught pulpy in the rolls,
    the finger, lost . . .





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    Friday, May 4, 2012

    A Companion to the Literatures of Colonial America (Blackwell Companions to Literature and Culture) For Sale





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    This broad introduction to Colonial American literatures brings out the comparative and transatlantic nature of the writing of this period and highlights the interactions between native, non-scribal groups, and Europeans that helped to shape early American writing.
  • Situates the writing of this period in its various historical and cultural contexts, including colonialism, imperialism, diaspora, and nation formation.
  • Highlights interactions between native, non-scribal groups and Europeans during the early centuries of exploration.
  • Covers a wide range of approaches to defining and reading early American writing.
  • Looks at the development of regional spheres of influence in the seventeenth and eighteenth centuries.
  • Serves as a vital adjunct to Castillo and Schweitzer’s ‘The Literatures of Colonial America: An Anthology’ (Blackwell Publishing, 2001).





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    Thursday, May 3, 2012

    The Heath Anthology of American Literature For Sale





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    American Literature courses.




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    Wednesday, May 2, 2012

    Tuesday, May 1, 2012

    The Cambridge Companion to Emily Dickinson (Cambridge Companions to Literature) For Sale





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    This Companion consists of 14 essays by leading international scholars. They provide a series of new perspectives on one of the most enigmatic and widely read American writers. These essays, specially tailored to the needs of undergraduates, examine all of Dickinson's writings, letters and criticism, and place her work in a variety of literary, cultural and political contexts. The volume will be of interest to scholars and students. It features a detailed chronology and a comprehensive guide to further reading.




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