Dives and Pauper Volume II (Early English Text Society Original Series) Reviews
Showing posts with label Series. Show all posts
Showing posts with label Series. Show all posts
Monday, July 23, 2012
Monday, June 25, 2012
Dives and Pauper Volume II (Early English Text Society Original Series) For Sale
Dives and Pauper Volume II (Early English Text Society Original Series) | | Reviews
Dives and Pauper Volume II (Early English Text Society Original Series) Reviews
Product Overview
The third and final volume, containing introduction, notes, and glossary, to Dives and Pauper, edited by Priscilla Barnum (Early English Texts Society, Original Series 275 and 280) contains full discussion of the text's historical context and description of the manuscripts. Dives and Pauper is an encyclopaedic prose commentary on the ten commandments, cast as a dialogue between a wealthy layman and his instructor, a poor priest, perhaps a mendicant friar. It was composed in the early fifteenth century and addresses theological debates of the turbulent period of English church history with unusual directness and compendiousness. It has long attracted attention from historians of the period and often been quoted. This concluding volume presents a full historical discussion of its context and authorship, while the extensive explanatory notes and glossary make the many references in the text to church authorities, canon law and language accessible. The first two volumes were published by the Early English Text Society as Original Series 275 (1976) and 288 (1980). This final volume has been long- and eagerly-awaited.
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Thursday, May 10, 2012
PAPERMILL: Poems, 1927-35 (American Poetry Recovery Series) For Sale
PAPERMILL: Poems, 1927-35 (American Poetry Recovery Series) | | Reviews
PAPERMILL: Poems, 1927-35 (American Poetry Recovery Series) Reviews
Product Overview
Unlike many of the protest poets of the Depression era, Joseph Kalar lived the workingman's life he wrote about. Though he produced some of the finest social protest writing of his era, the circumstances of Kalar's life--his tireless work in the unions, his long hours at the mill--meant that he wrote only occasionally and never published a book.
Papermill is Kalar's most famous poem, a stark description of a shut-down factory. First published in 1931, the poem was praised by Max Eastman as "the rarest jewel so far produced by the ferment in America called proletarian poetry--and it is pure art."
Stink from papermill, sulfer dioxide,
burns the nose and wreathes the mind
with thoughts of beaters to be filled
pumping jordans, swish swish of hot rolls,
paper to be made, the crash of spruce,
furred brances stabbing here and there,
the arm caught pulpy in the rolls,
the finger, lost . . .
Papermill is Kalar's most famous poem, a stark description of a shut-down factory. First published in 1931, the poem was praised by Max Eastman as "the rarest jewel so far produced by the ferment in America called proletarian poetry--and it is pure art."
Stink from papermill, sulfer dioxide,
burns the nose and wreathes the mind
with thoughts of beaters to be filled
pumping jordans, swish swish of hot rolls,
paper to be made, the crash of spruce,
furred brances stabbing here and there,
the arm caught pulpy in the rolls,
the finger, lost . . .
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Saturday, May 5, 2012
PAPERMILL: Poems, 1927-35 (American Poetry Recovery Series) For Sale
PAPERMILL: Poems, 1927-35 (American Poetry Recovery Series) | | Reviews
PAPERMILL: Poems, 1927-35 (American Poetry Recovery Series) Reviews
Product Overview
Unlike many of the protest poets of the Depression era, Joseph Kalar lived the workingman's life he wrote about. Though he produced some of the finest social protest writing of his era, the circumstances of Kalar's life--his tireless work in the unions, his long hours at the mill--meant that he wrote only occasionally and never published a book.
Papermill is Kalar's most famous poem, a stark description of a shut-down factory. First published in 1931, the poem was praised by Max Eastman as "the rarest jewel so far produced by the ferment in America called proletarian poetry--and it is pure art."
Stink from papermill, sulfer dioxide,
burns the nose and wreathes the mind
with thoughts of beaters to be filled
pumping jordans, swish swish of hot rolls,
paper to be made, the crash of spruce,
furred brances stabbing here and there,
the arm caught pulpy in the rolls,
the finger, lost . . .
Papermill is Kalar's most famous poem, a stark description of a shut-down factory. First published in 1931, the poem was praised by Max Eastman as "the rarest jewel so far produced by the ferment in America called proletarian poetry--and it is pure art."
Stink from papermill, sulfer dioxide,
burns the nose and wreathes the mind
with thoughts of beaters to be filled
pumping jordans, swish swish of hot rolls,
paper to be made, the crash of spruce,
furred brances stabbing here and there,
the arm caught pulpy in the rolls,
the finger, lost . . .
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Wednesday, February 1, 2012
Charlotte Perkins Gilman's "The Yellow Wall-Paper" And the History of Its Publication and Reception - A Critical Edition and Documentary Casebook (The Penn State Series in the History of the Book) For Sale
Product Overview
This is a critical edition of Charlotte Perkins Gilman's "The Yellow Wall-paper", the story of the victimization of a woman whose neurasthenic condition is completely misdiagnosed and mistreated, leaving her to face insanity alone. It is accompanied by contemporary reviews and letters.
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Tuesday, January 17, 2012
Rendezvous with Death: American Poems of the Great War (American Poetry Recovery Series) For Sale
Rendezvous with Death: American Poems of the Great War (American Poetry Recovery Series) | | Reviews
Product Overview
This masterfully assembled volume, arranged chronologically, reveals American poets' shifting, conflicting reactions to the war and highlights their efforts to shape U.S. policies and define American attitudes. In his introduction, Mark W. Van Wienen describes the rapid, politically charged responses possible in a culture attuned to poetry. His historical and biographical notes provide a sturdy framework for the study of poetry's role in social activism and change during the "war to end war." The most complete resource of its kind, "Rendezvous with Death" brings together poetry originally published in little magazines, labor journals, newspapers, and wartime anthologies. Alight with sorrow, grace, silliness, satire, pride, and anger, works by IWW members, sock poets, pacifists, and protestors take their places next to those by Edith Wharton, Alan Seeger, Wallace Stevens, James Weldon Johnson, Amy Lowell, and Claude McKay.
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